Yellow

Yellow, oil painting by Melody Phaneuf, Boston
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Yellow, color of sunshine, has a stimulating, lightening and gladdening effect on the soul. In Greek mythology, Helios the Sun God donned a yellow robe while driving his golden chariot drawn by fiery horses across the sky. The Sun’s radiant yellow light came to symbolize divine wisdom. Continue reading~

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Yellow, 28 x 24 Oil Painting by Melody Phaneuf
Yellow is available in Open Edition Print and Fine Art Note Cards

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Boston Artist, Melody Phaneuf is well known for her evocative still life, landscape, and portrait paintings. Her paintings are regularly on view at The Guild of Boston Artists, 162 Newbury Street; at Fenway Studios, Boston by appointment; and North Shore Art in Gloucester from May through October. Phaneuf ‘s paintings have been exhibited at The National Arts Club in New York City, Galerie Herouet in Paris, and with Art du Monde, in Japan.

Melody The Artist Home, founded with photographer and color specialist, Martha DiMeo, features Phaneuf’s original oil paintings on tumbled marble tile murals and beverage coasters, fine art prints, and handmade note cards.

Make Your Life a Work of Art~
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Triton's Call

Triton's Call, 20 x 16 oil painting by Melody Phaneuf

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This morning I awoke to foghorns. It’s one of the things I love about living on the harbor in Gloucester. Though it doesn’t bode well for pleasant weather today, the tone sets the mood for a quiet, pensive day. Continue reading~

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Melody Phaneuf is well known for her evocative Gloucester landscape paintings. Phaneuf works on location and at historic Fenway Studios, Boston, MA, painting still life and portraiture. Phaneuf has exhibited at Galerie Herouet in Paris, The National Arts Club in New York City, and with Art du Monde, a traveling exposition in Japan. Phaneuf’s paintings are regularly displayed at North Shore Arts, Gloucester, MA and The Guild of Boston Artists, Boston, MA.

Melody The Artist Home, founded with photographer and color specialist, Martha DiMeo showcases the artist’s original paintings on tumbled marble tile murals and coasters, fine art prints and note cards. Online ordering at MelodyTheArtist.com/shop

Triton’s Call, oil painting by Melody Phaneuf, 20 x 16

Triton’s Call is available in Open Edition Prints and handmade Notecards

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Making Paintings~ The Calling to Create

Visitors to my studio enjoy seeing a painting in progress. For some, it is a surprise that I work from actual objects rather than inventing the picture. I do invent; it is the spark of an idea that comes together in my mind, then to some scribbles on paper, which explore the visual interpretation of a concept. Then comes the actual arranging of the props I will use for the painting. The more elaborate arrangements take months to paint, partly because I work on several paintings at a time and partly because of the intricacies of finish. There are technical reasons for letting a surface breath for a while as well.

Having collected thousands of props and fabrics to compose paintings, I am adored at flea markets and local antique shops. The figure in the painting, Calling, is a Caproni plaster cast of Cupid who has lost his wings. I purchased it many years ago in the hopes I could have it repaired, but as it turns out, he is perfectly suited for his role in Calling.

I am most inspired by paintings that attempt to communicate an idea. Calling is the story of a creature, played by the plucky Cupid, who is destined for a purpose over which there is no choice. Cupid, himself, has the commitment to expose a point in the heart in others by skillful aiming of his arrow. Once struck, the outpouring of love awakens desire. Here the desire is for the calling, represented by the ram’s horn ~used in timeless deserts for calling fellow Nomads, now pointed toward Cupid’s ear. Brushes, tubes of paint and palette give hints at what this calling is about. The leafy vine gives a sense of ever growing and the chair itself has a carved leaf like design. The contrast of color is arresting, and the arranged shapes of the fabric communicate a buoyant idea.

And what of Cupid’s wings? As it turns out, Cupid has not been without obstacles but has endured. This often happens when divine inspiration comes to the earth plane, but his persistence gives us hope and willingness toward purpose.

Calling is still evolving and is destined for the International Art Show in Boston this fall. If you would like to visit my studio, please call 617 236 4322 or email melody@MelodyTheArtist.com to arrange a time.

Melody Phaneuf is a Boston Artist, working at Fenway Studios. Phaneuf is well known for her evocative still life and landscape paintings and has achieved significant acclaim for portraiture. She has exhibited at Galerie Herouet in Paris, The National Arts Club in New York City, and with Art du Monde, a traveling exposition in Japan. Phaneuf’s paintings are regularly displayed at the Guild of Boston Artists, 162 Newbury Street, Boston, MA.

Melody The Artist Home, founded with photographer and color specialist, Martha DiMeo showcases the artist’s original paintings on tumbled marble tile murals and coasters, fine art prints and note cards. Online ordering at MelodyTheArtist.com/shop


Calling, oil painting in progress by Melody Phaneuf, 30 x 36

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Related~

• Everything You Ever Wanted to Know About Cupid
• The Force of Destiny
• Finding Your Calling

Harbor Sunset, Visual Banquet

Measure:

2 Parts Yellow
1 Part Orange
2 Parts Violet
3 Dashes Viridian
Pinch of Rose

Gently whisk the orange into the yellow. Cover the top third of a rectangular canvas and set aside the remaining mixture. Apply 2/3 of the violet to the middle third and lower right corner, cut in viridian and allow to set. Use the remaining yellow-orange to cover the raw canvas; swirl on violet. Sprinkle entire mixture with a pinch of rose. Arrange shapes so that there is a contrast of direction. Be sure that dark and light pattern in the upper third creates a rhythmic, cradling movement leading to the shapes below. Hold the key in the middle range, but spice with a major interval of twilight. Allow the surface to rise and form a firm, interwoven texture. Serve immediately.

Have you ever noticed how a delicious banquet awakens each taste bud, delighting and satisfying emerging desires for salty, spicy, sweet, sour or bitter? And texturally speaking, imagine the dullness of dining on soup, squash, applesauce and Jell-O? Bereft of mastication for any length of time, you might even consider wrestling the dog for his chew toy.

A painting should have the same considerations, variety to delight the eye and charm the spirit. Light, dark, warm, cool, round, rectangular, soft, firm, transparent, opaque, curvy, angular… There are an infinite number of condiments in Nature’s buffet. Artist and chef alike are fluent in the language of their dominant sense’s expression. They are mavens of discernment, selecting which proportion of this-to-that delectation will attract then gratify.

A delicious painting, like a favorite meal is remembered and desired again because it satiates a longing that only that particular taste titillation can fulfill. When that hunger is of the body, food fulfills; when of the soul, art nourishes.

Bon Appetite!

Harbor Sunset by Melody Phaneuf, is available in Open Edition Print and Note Cards.

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Harbor Sunset, by Melody Phaneuf, Boston, MA
Oil Painting, 28 x 22
Studio Visits (617) 236 4322

Eggs and Shells, A Study in Low Major

I love a low major key. Light emerging from darkness evokes a primal awe and lends dignity to vibrant color arrangements.

Eggs & Shells is a quiet celebration of yellow and blue. Eggs and milk carafe, combined with the eye-opening contrast of color and light make it ideal for the kitchen, a perfect “breakfast’ painting. A lively rhythm emerges from the broken-color technique despite the restraint of key.

I use this painting as a moment of contemplation in the morning. It gives me contented energy to start my day.

Eggs and Shells, Open Edition Print, Note Cards, and Custom Tile Murals at http://melodytheartist.com/shop

Fortune’s Wheel, In Memory of September 11

It is August of 1997 and I am returning from an exhibition of my paintings in Paris. It is the fulfillment of a dream and I am heady, making great plans the way one does when still young and unscathed. I couldn’t have painted this at that particular moment because I was brimming with joy.

I call it Fortune’s Wheel. It is about sudden and violent change, the kind of event where one is irrevocably transformed. It is a self-portrait in symbols; a cathartic detachment from what immediately becomes the past. The jester hangs upside down by one foot, echoing the Hanged man of the Tarot. Like breadcrumbs leading out of the woods, three cards, the Tower, Devil, and Three of Swords leave a trail of clues. An ominous black veil obscures the exhibition poster yoking the jester to the wheel where once fresh roses ascend. Flameless candle, well-worn and treasured map of France, postcard, and coins are strewn. The hourglass sand is running out, the duality of light bewilders, disorder rules.

Fast forward to 2001. It is a crisp and beautifully sunny morning in September, emblem of early autumn in New England. I am working with a handful of students studying anatomy, looking out the window, thinking we really should be out landscape painting. It is shortly before 9:00. The first plane is flying into the towers.

We are changed। We were still young and unscathed. We were heady, brimming with joy, and could not have imagined in advance of that particular moment, this altered world.

Fortune’s Wheel by Melody Phaneuf, 40 x 48 Oil Painting
http://melodytheartist.com

Love and Folly

In the wake of the speech by Republican candidate Sarah Palin, I feel compelled to report that I liked her. Such confidence and feisty glint of eye! I love that she, mere woman, is fearless to take on the powerful, lipstick being the only factor differentiating her from pit-bull.

The admiring glances and blazing cheers from women in the convention center left no doubt that Sarah Palin is winning hearts. I believe that she is earnest. I believe that she is zealous in her intention. But I don’t believe in the mantra, “Drill, Baby, Drill” or that the answer is to cleave to religion and guns.

In Love And Folly, manikins act out a scene in which the infatuated one is unabashedly kicked to the curb. The “fool,” characterized by the jester’s hat is dazed, completely unprepared for such rejection. Above the fool’s head, a lock symbolizes the perceived bond of the two but the torn Lovers card and the second sprung lock reveal the truth. A hand from above holds the card of betrayal.

I could don my jester’s hat and follow the woman who may become vice-president because I love that she is a woman, and feisty, and unafraid. But the charm would be broken when I woke up to find that I had denied something that was there all along; that I had elected a leader with whom I morally cannot agree.


L’Amour Et La Folie, Melody Phaneuf
Oil Painting, 24 x 28
http://melodytheartist.com

Voyagers

I came to Gloucester to paint for a summer twenty years ago. Joyfully, I heard the Siren’s song, and remained. There is so much here for aesthetic pleasure, I am spellbound by what Thomas Moore calls the “genius loci.”

The objects in Voyagers—shells, floats, castaway bottle—are treasures that one finds exhaled by the sea. Glimmering and crusty seashells, vehicles of mysterious creatures living under water, dazzle me. And the patina of glass, etched by the ocean’s kneading over time!

Such marvels become objects of contemplation. In my mind’s eye they are heroes aboard the Argo while Jason hunts Golden Fleece, or survivors of the Hesperus, sunk by the reef off Norman's Woe. I wonder where these alluring voyagers come from and can only imagine their journey.

Voyagers, Oil Painting by Melody Phaneuf
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Crossroads, Brittany

The Brittany region of France echoes with something familiar to me. The forests and pasturelands are wild, moody, haunting. A magical combination of Celtic and French ancestry speaks to my spirit. I am sure that Merlin and Parsifal treaded here.

I find this painting relevant at the moment. We are at a crossroads in many ways. The environment and our relationship to others in the world are of paramount significance. I’m not sure if we need a magician or a knight in search of the grail to lead us in the right direction.

A curiosity of this land with Pagan roots is that a traveler will often come across a statue of a saint in the middle of what could be judged as nowhere. I love that here, Jesus; symbol of altruism is positioned at the crossroads. The lighting on that temperamental day cast long shadows and animated the ivy-covered manse to appear as if it were looking on in awe.

Crossroads, Brittany, Oil Painting by Melody Phaneuf
http://melodytheartist.com